By Cher Krause Knight, Harriet F. Senie
A significant other to Public Art is the one scholarly quantity to check the most concerns, theories, and practices of public paintings on a finished scale.
- Edited by way of wonderful students with contributions from artwork historians, critics, curators, and paintings directors, in addition to artists themselves
- Includes 19 essays in 4 sections: culture, web site, viewers, and important frameworks
- Covers very important issues within the box, together with valorizing sufferers, public artwork in city landscapes and on collage campuses, the function of electronic applied sciences, jury choice committees, and the intersection of public artwork and mass media
- Contains “artist’s philosophy” essays, which tackle higher questions about an artist’s physique of labor and the sphere of public artwork, by means of Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.
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Extra info for A Companion to Public Art
But while the public artworks in Bamako may bolster civic pride and nationalism they are designed to do so in ways that have been strictly predetermined by the government, which exercises “absolute control” over the art and makes the decisions about who and what are remembered through it. In such a situation where artistic freedoms are notably constrained it is fair to wonder how much political freedoms might be limited, too. Does Bamako become a sort of “living museum,” and if so, how does this condition influence the way its own citizens and others view the city, its culture, and its people?
Original Italian edn. ) Misztal, Barbara. 2003. Theories of Social Remembering. Maidenhead: Open University Press. , ed. 1990. Art and the Public Sphere. Chicago: University of Chicago Press. Mulcahy, Kevin and Margaret Jane Wyszomirski, eds. 1995. America’s Commitment to Culture: Government and the Arts. Boulder, CO: Westview Press. Nora, Pierre. 1989. ” Representations 26 (Spring: special issue: Memory and Counter‐Memory): 7–24. , Dario Paez, and Bernard Rimé, eds. 1997. Collective Memory of Political Events: Social Psychological Perspectives.
1977. ” In The Public Monument and Its Audience, Doezema and June Hargrove. Cleveland, OH: Cleveland Museum of Art. 9–12. Harris, Jonathan. 1995. Federal Art and National Culture: The Politics of Identity in New Deal America. Cambridge: Cambridge University Press. Schrank, Sarah and Sally Webster, eds. 2014. 1 (Spring: special issue). Senie, Harriet F. 1992. Contemporary Public Sculpture: Tradition, Transformation, and Controversy. New York; Oxford: Oxford University Press. Senie, Harriet F. 2016.
A Companion to Public Art by Cher Krause Knight, Harriet F. Senie