African Art, Interviews, Narratives: Bodies of Knowledge at by Joanna Grabski, Carol Magee PDF

By Joanna Grabski, Carol Magee

ISBN-10: 0253006910

ISBN-13: 9780253006912

Joanna Grabski and Carol Magee collect a compelling assortment that indicates how interviews can be utilized to generate new which means and the way connecting with artists and their paintings can remodel creative creation into cutting edge serious insights and information. The individuals to this quantity comprise artists, museum curators, artwork historians, and anthropologists, who handle inventive construction in numerous destinations and media to query prior makes use of of interview and impress substitute understandings of art.

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Extra resources for African Art, Interviews, Narratives: Bodies of Knowledge at Work

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Although Tall left the school in 1965 to serve as director of the Manufacture National des Tapisseries, Lods continued working with artists at both the Section de Recherches Plastiques Nègres and his home atelier until his death in 1988. For this reason, Lods is considered the school’s primary professor. Compared to Lods, Ndiaye had few students. Senghor was president from 1960 to 1980. 11. A sizable body of Africanist his­tori­cal scholarship uses oral history, in­clud­ing interviews and conversations, to learn about in­di­vidu­als in living memory or whose identities live large in the popu­lar imagination.

Marking the space for their absence may be read on many levels. References to them might be interpreted as ways to manage absence and understand experiences of loss, especially when the conversations transpired in close temporal proximity to the artists’ deaths. 4 The point is not so much that these artists are remembered, for to do otherwise would be surprising in light of the relationships characterizing Dakar’s artistic community, where artists of­ten collaborate in workshops or exhibitions and befriend each other, even in the thick of rivalries and intense competition.

In particular, I suggest that we consider interviews as documents doing a specific type of work when it comes to artists who are no longer living, but whose voices live on in our interviews. Interviews as documents give material form and weight to words from the past, allowing them to endure. In their capacity as documents, interviews accrue value as time passes, memory fails, and conversation partners are lost. Some of my conversation partners are no longer living, but because I recorded our interviews, I have documents bearing witness to our exchanges.

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African Art, Interviews, Narratives: Bodies of Knowledge at Work by Joanna Grabski, Carol Magee

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